Naval War College Review
Volume 44, Number 3 (1991) Summer
The Wadsworth (60) and Porter (59) lead a column of U.S. destroyers into Queenstown, Ireland, in May 1917, in this detail from B. F. Gribble's painting, Return of the Mayflower. Those destroyers were part of the solution to the problem discussed by Lieutenant Commander McKillip on pages 18-37 of this issue.
Full Issue
Summer 1991 Full Issue
The U.S. Naval War College
President's Forum
President's Notes
Joseph C. Strasser
Articles
Stealth in Naval Aviation: A Hard Look
Mark P. Grissom
Undermining Technology by Strategy: Resolving the TradeProtection Dilemma of 1917
Robert W.H. McKillip
The Dragon Goes to Sea
E.D. Smith Jr
America's Maritime Boundary with the Soviet Union
John H. McNeill
Reciprocal Disarmament: A Game Proposal
Malcolm Chalmers
Robert E. Lee: Maker of Morale
Douglas Southall Freeman and Stuart W. Smith
The Influence of Hyman Rickover on a Navy
Timothy Somes
Naval War Under Sail
John B. Hattendorf
Book Reviews
Book Reviews
The U.S. Naval War College
Command; Control, and the Common Defense
Wayne P. Hughes
War: Ends and Means
Dale K. Pace
Seapower and Strategy
J.S. Hurlburt
Navies in Violent Peace
Sam J. Tangredi
Maritime Strategy and the Balance of Power
Barry Gough
The United States and the Defense of the Pacific
William C. Hickman
The U-Boat Offensive 1914-1945
Marc Milner
The U-Boat Wars: 1916-1945
Frank C. Mahncke
U-Boat Command and the Battle of the Atlantic
Peter K.H Mispelkamp
The Defeat of Imperial Germany: 1917-1918
David F. Trask
Wilhelm II: Prince and Emperor, 1859-1900
Holger H. Herwig
The Port Chicago Mutiny
Paul Stillwell
A Season of Inquiry: Congress and Intelligence
E.D Smith Jr
Douglas Southall Freeman on Leadership
Richard M. Swain
Red Army: A Novel of Tomorrow's War
Adam B. Siegel
Aircraft Carriers of the U.S. Navy
Tom Grassey
British Carrier Aviation: The Evolution of the Ships and their Aircraft
Christopher C. Wright
Naval Engineering and American Sea Power
Christopher Straszak
Additional Writing
In My View
Kenneth C. Allard and Eugene V.L. Vogt
Credit
Illustration courtesy of James Cheevers of the U.S. Naval Academy Museum (where the painting is on display) and Patty M. Maddocks of the U.S. Naval Institute.