Volume 50, Number 4 (1997) Autumn
The BAR Man–A Marine in the first wave of the 19 February 1945 assault on Iwo Jima fires his Browning automatic rifle in a cover painting (and on the reverse, a pen-and-ink sketch) by Colonel Charles Waterhouse, U.S. Marine Corps Reserve, Retired. Colonel Waterhouse was a rifleman in the Pacific War, and from 1972 to 1992 he was the Corps' artist in residence; see page 124 for a notice of his Marines and Others, which collects his work about Marines and his other favorite subjects.
Planning for Tomorrow's Conflicts: A Recipe for Success
Richard I. Neal
The Navy RMA War Game Series: April 1995-November 1996
Edward A. Smith Jr.
Logistical Implications of Operational Maneuver from the Sea
Mark W. Beddoes
Today's Officer Corps: A Repository of Virtue in an Anarchic World?
Joel H. Rosenthal
Set and Drift—"In Retrospect: The Employment of Antiship Missiles"
Asen N. Kojukharov
Uncivil Wars: International Security and the New Internal Conflicts
Dominic J. Caraccilo and Donald M. Snow
Ocean Governance: Strategies and Approaches for the 21st Century
James W. Crawford and Thomas A. Mensah
The Political Role of the Military: An International Handbook
Paul M. Simoes de Carvalho, Constantine P. Danopoulos, and Cynthia Watson
Revolution in Warfare? Air Power in the Persian Gulf
Phillip S. Meilinger, Eliot A. Cohen, and Thomas A. Keaney
Managing "Command and Control" in the Persian Gulf War
James A. Winnefeld, Mark D. Mandeles, Thomas C. Hone, and Sanford S. Terry
Heroes in Dungarees: The Story of the American Merchant Marine in World II
Andrew E. Gibson and John Bunker
The Sleeping Giant: American Armed Forces between the Wars
James W. Hammond Jr., J. E. Kaufmann, and H. W. Kaufmann
Allied and American Naval Operations in the European Theater, World I
Paul E. Fontenoy and Paolo E. Coletta
The Alabama and the Kearsarge: The Sailor's Civil War
Cole C. Kingseed and William Marvel
Colonel Charles Waterhouse, U.S. Marine Corps Reserve, Retired. (Painting and sketch reproduced by the kind permission of the artist.)